April 3, 2013

Normal people worry me! April Issue of My Molds Newsletter 2013

News that Inspires Imagination! The Preferred Place for Clay Push Molds.  April 2013 Issue of My Molds Newsletter.
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The Preferred Place for Clay Push Molds


Dear Readers,

Oh my, we are so excited it's finally Spring! We are loving the colors outside, and we know you probably do too. Bright colors seem to be everywhere this year. Some of our favorites are mint, coral, turquoise and hot pink. What's yours? Do you like to use colorful castings such as clay? Or do you prefer painting your castings? Either way, the choices are never-ending, so give yourself time to get creative and let your imagination go wild.

We are curious. Are you enjoying our newsletters? What do you enjoy most? Upcoming molds, tips and tricks, or our monthly articles? Last month we talked about Cleaning the Artistic Attic, and several of you took the time to tell us you enjoyed it. This month, we have a similar one, about how to manage our stuff in our craft room. Titled: "Approaching Normal... but never quite getting there." Hopefully it will help you figure out if your space is "normal."

Please take the time to sit back and enjoy this issue of My Molds!

All the best,
Marjorie with Mad About Molds
News that Inspires Imagination!



 

When thinking about the finish...

Many customers ask us how we get the finish on our castings. There's many techniques to get various type of results, and all the choices can be confusing. We hope we can help clear things up, so you can decide what's best for your needs.

When thinking about the finish you would like to achieve, when making castings from your molds, there are about four main types for you to consider.

1. The best results for a rich deep metallic finish would be PMC (Precious Metal Clay) It comes in both silver and gold, and you use it the same as you would clay, except in the way that you cure it. Be sure to remove your casting from your mold before curing it.

2. Another way would be to add a gold-leaf finish over a baked clay casting. Gold-leaf can be found in many metallic colors and can have a beautiful finish.

3. The easiest way to achieve a colored finish (from neon, pearl or metallic) would be to use a colored clay to make your casting. No other step would be needed unless you wish to add a clear coat sealer or an antiquing medium.

4. And our last option is how most of our samples are made in our gallery photos. It's our favorite because white clay is cheep and far softer then colored clays. White sculpey clay painted with acrylic paints. We like to add many finishes over the paint to give a prettier effect such as pearl or sparkle sealer or a antiquing finish. Don't feel intimidated by painting castings as they are surprisingly easy to get nice results. Just think of it as painting from the bottom up. First a apply a thin base color over the entire casting, then paint the details on top with desired colors and finish with a top coat of the techniques mentioned above.

I hope this helps you out, and if you take the time to check out these techniques you should be able to get wonderful results with our molds. Have fun creating!








Molds are a great value!
In a tough economy, people look for ways to save money. Molds can be a great value to you, by allowing you to create a multitude of castings with just one mold. Also consider the many ways to use molds on our “Creative Ideas Page” to get the most out of your molds.

Here’s just a few reasons why molds are a great value.
• Save by making your own embellishments, instead of purchasing them new.
• Save by making an endless supply of castings for your favorite projects.
• Save by staying home, instead of going out for your entertainment and relaxation.
• Save by selling your creations, as an extra income for your family.
• Save by using many everyday items found around your house as molding tools.
• Save by creating personal gifts, instead of purchasing store bought.

 


 

Copyrights

Some of you who are reselling your creations are concerned about copyrights. Our molds are fine to use for personal use. We do not list licensed brands, and try to get older pieces that are out of copyright. I have not had any customers contact me with any problems that they have run into in the past 9 years. If the shape has been altered in any way it changes the finished piece making it a new shape. Such as attaching it to another form, or texturizing the surface, or combining several molds to make a new shape. You can see some examples of this done on our gallery page and creative ideas page. I hope this helps you, and if you have any other questions, feel free to message us anytime.



"Great! Does that mean I can throw all my bits on the floor and not care?"


International Orders

In case you didn't know, we do ship internationally to anywhere you need. Worried about shipping rates? No problem. Just add your molds to the shopping cart from our website and the shipping as automatically figured for you off to the right side of the page. As easy as pie! :)

Repeat Orders

Loyal customers are happy customers, but our new customers are very important to us as well. Many businesses will consider the percentage of their repeat customers a score for success, but in reality you also want to see new customers as well for the growth of your business. This is why we appreciate each and every one of you. Please tell your friends about us, so they can enjoy our molds as well, and we would love you hear from you. What have you made with your molds lately?



“You supply the Creativity, we supply the Inspiration!
Sometimes a picture is worth a wealth of inspiration.
Just imagine all the possibilities!"



 

Approaching Normal... but never quite getting there.

 

I’m from a family of non-artists. Actually, a town of non-artists. Not only did we not know any artists, nobody knew anyone who knew an artist. Consequently, a kid who spent all her free time drawing and doodling was a little strange.

Other habits set me apart. I was always looking at the ground, not because I was shy, but because I was a natural hunter-gatherer. I acquired a huge collection of rocks, driftwood bits and pretty shells early on.

I collected other things, too. The best present I ever got was a huge box of pretty wrapping paper scraps and bits of ribbon from a family friend. Oh, and a “Learn to Draw” kit. My mother thought there was something wrong with a child whose closet was full-to-bursting with boxes of rocks, shells, ribbon, car-squashed bottle caps, pretty buttons, bits of fabric and foil wrappers from candy bars. (Not the candy bars. Just the foil wrappers.)

At college, I began to get glimmers of what I was. I roomed in a house with an artist once. I saw her room. He had shelves full of stones, driftwood, pretty shells. (No ribbon, though.) Hmmmm…

I found my real calling after I had children. Wanting them to be their “true selves” encouraged me to do the same. I began to make stuff with those buttons and pretty fabrics.
I did my first show, met other “real” artists, and felt like I’d finally found my tribe. I thought, “These are my people!”

Now I do fewer shows. I work in isolation, with unusual media and forms. Most of my art friends I’ve met online. We talk and email a lot. But we don’t see each other, or our studios, or our work, very often.

That sneaking suspicion—that I’m different—returns.

Do other artists buy more beads and fabric than they could possibly use in ten lifetimes? Do they buy weird stuff like odd rusty metal, old typewriters and vintage radio resistors just because they’re “so cool”?

Do other artists go years without cleaning their studio, working around towering piles of materials, only clearing the decks when forced to by an impending Open Studio Tour? (Why did I buy twenty boxes of vintage odds and ends??)

Do other artists decide they need a variable-speed jeweler’s drill, complete with foot control and the bajillion little drill attachments? And just before they order, while stashing said towering piles of materials in the attic, do they find the unopened box with said really cool drill in it that they bought last year??

Do other artists get great ideas for framing their work, and over a period of months, acquire dozens and dozens of frames? Only to abandon the idea and get a great idea for something else?
Do other artists sit down happily to work, thinking they have a few hours of creative free time, only to suddenly realize a) their next show isn’t three weeks away, it’s next week? b) and they forgot to order new halogen bulbs for their lights); c) they’re three days late on their column they’re supposed to write; d) they owe another artist a thank-you note for sending them instructions on how to make those fabulous beads I…er…they…were asking about; or e) it’s their 26th wedding anniversary and they forgot to do anything about it?

The answer to these questions, of course, is a) yes; b) yes, many people forget things until the last minute, according to the light bulb guy I call; c) yes; d) yes; and e) yes, because my husband forgot, too. (He’s also a creative type, though of the neat variety!)
I recently visited an online forum where everyone posted their messy studio photos. Heavens to Betsy—they look like mine! (Some were even worse.)

I de-clutter my studio. I post stuff on FreeCycle.org, a community-based recycling website. Another artist is doing the same. Yet she snags my stuff. “But aren’t you clearing out yourself?” I ask her. “Yeah, but your stuff is cool!” she exclaims.

I confess to a jeweler friend about almost buying a drill and forgetting I already had one. “Oh!” she exclaims, “I do that all the time!”

I tell a painter about my frames. “Painters do that all the time!” she assures me. “We think we’ve found the perfect frame, and we buy a ton of them. And then we find the next perfect frame…. Painters always have a million frames lying around.”

Hmmmm. Maybe I am normal…for an artist!

 

Author unknown




 




 

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